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![]() This opportunity was bound to happen, and I couldn't just pass the chance to make something so catalytic with such a group as this.īesides the obvious title, there are several allusions to hip hop historical influences mixed in with the Sonic metaphors of coming together regardless of differences. " When Matt first contacted me about a proposed mega-collab for "Stardust Speedway," I actually went through every internal excuse I could think of to try and shy away from it: I have a preference for not arranging songs that are already phenomenal IMO due to past experience with band-mates, I'm a bit cautious about huge team efforts I've recently been on a looooong-ass personal hiatus from rap, so I was unsure about my hip hop Killer Studio Chops, etc.īut I've been talking to BrothaDom and a few other forum members about getting something like this set up, and when Matt showed me selected works from each member, I was blown away. SONIC CD SOUNDTRACK JP FULLSonic CD album covering BOTH regional soundtracks PLUS a hip-hop collective featuring some amazing artists in their own right? HELL yes!! So this ReMix is badass, and I would normally have a LOT to say about just HOW badass it is, but the team provided a wealth of comments (check the ID3 tags of the MP3 for the full breakdown!) and I have to defer to them arranger Sir Jordanius writes: If you're like me, and I know I am, this is all sorts of great news. Matt Keller (SuperiorX): lead keys, electric piano Joseph Guthrie (The Auracle): vocals - verse 4ĭominic Malloy (BrothaDom): hype/backing vocals Niyazi Sonmez (DiGi Valentine): vocals - verse 3 Jordan Etienne (Sir Jordanius): arrangement, guitars, backing trumpet, funk vocals Not every member will always participate in each OverClocked Assembled song, and new members will be added in the future. We are creating a VGM hip-hop collective under the banner of OverClocked Assembled that will have rotating/guest members. It's being posted on September 23rd, 2013 to coincide with the 20th anniversary of the Sonic CD Japanese launch date, and to serve as a little preview for the album, which will be releasing sometime after that. The track will be featured on the Sonic CD: Temporal Duality album. ![]() "Greetings, OCR! OverClocked Assembled presents "Time Traveller's Delight," a remix of Stardust Speedway JP/EU (Sonic CD). today marks the 20th anniversary of Sonic CD's release in Japan, and we've got a fantastic hip-hop opus preview mix from our upcoming Sonic CD album, Temporal Duality, to help celebrate! The album will be coming out this year, and will feature ReMixes of BOTH the Japanese AND American soundtracks to the game, BOTH of which are amazing in their own right! This is (somewhat surprisingly) the first Sonic CD mix we've posted in over ten years, and it's an epic rap battle between several familiar OCR faces and some new blood, too, collectively known as "OverClocked Assembled" album director & member SuperiorX (Matt Keller) writes: ![]() ![]() ![]() Also, there are a few supported Blu-ray players. Fortunately, most of the new TVs are working with SofaPlay. ![]() Important: SofaPlay is working with devices that are supporting the UPnP/DLNA Digital Media Renderer standard. Just lean back on your sofa, get some popcorn and enjoy a movie, or two. Your Mac is completely controlling and managing your TV and taking care of the streaming. SofaPlay streams your video wirelessly to your TV. Just drag any movie file onto SofaPlay and it will appear instantly on the big screen in front of you. It connects your Mac to your Smart TV and takes care of the streaming. SofaPlay allows you to play media files directly from your Mac on the TV. ![]() Important: SofaPlay is working with devices that are supporting the UPnP/DLNA Digital What's New in SofaPlay. #Sofaplay cracked download for free#How To Download Windows On Mac For Free on this page. Download Final Cut Pro Free For Mac Full Version. ![]() ![]() ![]()
§ 1681 - To Learn More, visit Title IX and Sexual Misconduct.Adobe Scout is a visual profiler for Adobe Flash content running on desktop or mobile platforms, and works together with Adobe Flash Player and Adobe AIR. Title IX states: "No person in the United States shall, on the basis of sex, be excluded from participation in, be denied the benefits of, or be subjected to discrimination under any education program or activity receiving Federal financial assistance." 20 U.S.C. Title IX of the Education Amendments of 1972 protects people from discrimination based on sex in education programs or activities which receive Federal financial assistance. For more information, visit The University of Memphis Equal Opportunity and Affirmative Action. The Office for Institutional Equity has been designated to handle inquiries regarding non-discrimination policies. The University of Memphis does not discriminate against students, employees, or applicants for admission or employment on the basis of race, color, religion, creed, national origin, sex, sexual orientation, gender identity/expression, disability, age, status as a protected veteran, genetic information, or any other legally protected class with respect to all employment, programs and activities sponsored by the University of Memphis. ![]() Microsoft System Center Endpoint Protection Open to students and faculty of funding colleges This list is reviewed before the startĬollege of Business and College of Engineering #Adobe scout cc download softwareDo you want to request installation of software from this list? Please submit an online service request and a Local Support Provider will assist you. Provides the University agreement with Adobe Acrobat DC and Creative Cloud.īelow is a list of software that is available for installation on University ownedĬomputers. When using Adobe Products you will be asked to sign in using your UofM email and credentials. When logging into umApps you will now use SSO (Single Sign On) as well as authenticate ![]() See our page for installation instructions and documentation. #Adobe scout cc download installNOTE: Before using umApps from off-campus, you will need to install VPN (Virtual Private Is saved and printed on your own desktop and printer. #Adobe scout cc download PcSoftware can be accessed on and off campus using any PC and Mac. Use specialized software, including Mathematica, SPSS, and many more, on your ownĬomputer.
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![]() ![]() comedian Chris Regan & songwriter Sam Bisbee Barbes, 376 9th St. Rick Toledo's Showtivation System Toledo hosts monthly show to help you help yourself, w/supporting cast of sock puppets & pop tracks this week guests incl. "The Thursday Report" Comedy group's witty improv "makes it OK to laugh" about current events, media coverage & the crazy world in general Gotham City Improv, 158 W. Joan Rivers If they didn't stop her at the Oscars, you can be sure there will be nothing holding back her famously barbed tongue tonight?proceeds benefit God's Love We Deliver & Guide Dogs for the Blind Fez/Time Cafe, 380 Lafayette St. Spanish improv group Show World, 671 8th Ave. Playmobiles Above Kleptomania creator Erik Marcisak pres. provocative pop star playboy Joe's Pub, 425 Lafayette St. René Risqué and the Art Lovers Rock & roll cabaret feat. hip-hop, puppetry, tap & improv Duplex, 61 Christopher St. 4th Sts.), 21 10 & 11:30, $5.įuenteovejuna Lope de Vega's classic about murder in a 15-century Spanish village is condensed & updated into invigorating cabaret feat. live music & performances by weekly headliners Harvest Moon & Julie Atlas Muz, backed by the Xylophonic Orchestra the Marquee, 356 Bowery (betw. "Fisherman's Famous San Francisco Burlesque" feat. Repertorio Espanol Spanish flamenco icon Pilar Rioja performs solo "The Queen of Spanish Dance," "la Fiesta Del Chivo" & other audience favorites w/co. two programs created by this year's graduates w/performances by Juilliard Dance Ensemble Lincoln Center Clark Studio Theater, 70 Lincoln Center Plaza (W. ![]() Gregory Vacarello Stand-up w/Jim Norton, Russ Meneve, Jessica Kirson, Steve Marshall & Carrie Karavas Dangerfield's, 1118 1st Ave. The Hopscotch Comedies Wendy Williams' sketches about singles & sex in the city the Red Room, 85 E. unlimited drinks & food.įancy Julie Klausner's one-woman show "celebrates the ugliest of female stereotypes" in fun musical comedy Maverick Theater, 307 W. #Cafe archy lounge collection 5 plusgood ol' sketch comedy & improv, plus plenty of satire & impersonations the Shea Theatre, 303 W. ![]() Mark DeMayo His one-man show shines in the bright B'way lights Caroline's Comedy Club, 1626 B'way (49th St.), 21 7:30, $15 & 2 drink min.Įight Is Never Enough! Part of the Times Square Comedy Jam, this show feat. ![]() Shang, Flowmentalz & Gemini (HBO Def Poets)?plus Rip Micheals w/DJ Mano on the tables Caroline's Comedy Club, 1626 B'way (49th St.), 21 9:30, $17 & 2 drink min. 5th & 6th Aves.), 21 8:30, $10 & 2 drink min.Ĭomedy/Poetry Slam III feat. 8th & 9th Aves.), 21 9:15, $12, $6 st./military.Ĭomedy Salsa Come judge for yourself whether these are the city's "best Latin-American comics" Gotham Comedy Club, 34 W. Paul Wagner, Becky Veduccio & Al Del Bene showing off how they've honed their comedic skills Danny's Skylight Room, 346 W. "The Best of the Comics Roundtable" New weekly sketch/stand-up show feat. "Theatre Songs" Karen Akers sings classics by Sondheim, Marvin Hamlisch & more, plus songs from the original Nine, for which she received Tony nomination Algonquin Hotel, the Oak Room, 59 W. Norman's Big Night Out Norman Gosney ups the ante for fabulous w/song, dance, comedy & vaudeville Show, 135 W. Low Burlesque, Gin & Jazz Slip back a few decades at speakeasy-type space w/classic cocktails & ambience this week catch Carmen Mofongo & Amber Ray w/music by Elgin Movement & DJ Muor Wiselwod Low, 81 Washington St. #Cafe archy lounge collection 5 updateThe Lounge-O-Leers Ricky Ritzel & Aaron Morishita update the lounge act w/classics like "Stairway to Heaven" & cheesy renditions of Eminem hits Hannah's Lava Lounge, 923 8th Ave. Maurice Chevalier Stanhope Park Hyatt, 995 5th Ave. "An American in Paris" Supper club welcomes back singer & pianist Steve Ross, performing French-inspired songs written by Americans incl. ![]() ![]() You will die a lot, but that is all part of the game. Rogue legacy ps4 review how to#I then learnt how to play and understood the concept of the game, as I progressed and levelled up and learnt enemy attacks and patterns, I soon realised this was a very well made roguelike/Metroid/vania adventure. As you progress through the random generated castle you Rogue Legacy takes a while to get into. The big kicker is that once you start over, you lose all your wealth by paying the ghost at the door, so spend wisely. Eventually you will meet people along the way, helping you further your quest to finally beating the game(if you ever can). The whole point of the game is to fight your way through this almost never ending castle, inevitably dying to start again, as another person in your family "legacy", passing down your wealth from your previous playthrough to make the next family member you control stronger and building your castle to achieve better upgrades. The game itself and the player are always changing, making the person who's playing, change the way he plays everytime you start the game again. Anyways, the game brings originality to its finest. The whole point of the game is to fight your way through this almost never ending castle, inevitably dying to start again, as another Game is very addicting so be ready to sit for a long time. Game is very addicting so be ready to sit for a long time. I always feel like I'm progressing and there is so much to do. While I play lots of games, I'm not great at any of them and this is not so hard that it becomes frustrating. It is hard but I'm slowly becoming a much better player. Rogue legacy ps4 review movie#There are a number of hilarious references to pop culture stuff ranging from fairly obvious to jokes that I can only imagine a small percentage of people will get right away (i.e., reference to the movie UHF but I won't spoil what the joke is). This is easily the best side-scroller I've played since Symphony of the Night. However, Rogue Legacy hits the nail right on the head for how to do randomized level design. Procedurally created levels has been an alluring concept but ultimately disappointing in 9 out of 10 games that offer it like Cloudberry Kingdom and Daylight (sorry I just couldn't get into them). This is easily the best side-scroller I've I'm completed shocked by how much fun this game is. I'm completed shocked by how much fun this game is. ![]() ![]() ![]() Regardless of anything Tony Visconti might say! ![]() ![]() Phil intros the individual members of the band on ‘Baby Drives Me Crazy’, before the sound of the crowd baying for ‘The Rocker’ introduces the song that brings the most perfect live album EVER to its conclusion. Live and Dangerous is one of those rare things – a live album which makes you feel part of the experience of the gig itself. It is Brian Downey’s moment to shine on side four, with the percussive perfection of 'Sha-La-La’. The Hendrix-esque ‘Warriors’ spaces us out momentarily, before ‘Are You Ready?’ grabs us by the scruff of the neck and drags us back to the middle of the melee. ![]() It is perhaps the most perfect slice of live action in the history of rock ’n’ roll: opening with the extraordinary, resplendent double-whammy of ‘Cowboy Song’ and ‘The Boys Are Back In Town’, it blazes defiantly into one of Philo’s greatest songs, the mischievously confessional and teasingly revealing ‘Don’t Believe A Word’. Magnificent as Disc One is, however, it is when we hit side three of Live and Dangerous that things power majestically into full-on overdrive. Side two brought the seductive sway of ‘Dancing In The Moonlight' and the aching sense of loss that fuels ‘Still In Love With You’ – the latter in particular showcasing Robbo and Scott’s contrasting six-string prowess. There is still no album opener as exciting as the crowd chant before ‘Jailbreak’ revs up and twangs into gear, followed by the raucous ‘Emerald’ the yearning melody of the glorious ‘Southbound’ and the rollercoaster ride of Lizzy’s adrenaline-soaked version of Bob Seger’s ode to the teen queen, ‘Rosalie’. To be initiated.Įach of the four sides has a different mood. Who were these magical personae? And their cohorts with strange names like Bluesy Huey Lewis and Chalkie Davies? Rats and Radiators? It was my life’s mission to find out more. I devoured the information on the back cover. I remember on one occasion being caught short and banging on the bathroom door to be greeted with a yell of "No, I don’t know what bleedin' shoe size Phil Lynott wore!” My brother was in the bath. I quickly became a pariah, a pest to be avoided unless you secretly wanted to be subjected to another tedious interrogation. What did they know about Phil Lynott? What did they know about Thin Lizzy? What did they know about the music?Įvery hour brought a fresh grilling. There they were, resplendent with long hair, in red jumpsuits, with shining guitars, pulling outrageous poses – and, at the centre of it all, was a black Irishman! Its inside sleeves with photos of the men who were responsible for the life-altering sound. I wanted to be part of THIS… whatever it was.Īs quickly as I could, I saved up enough pocket money to buy my own precious objet d’art. The excitement that listening to the album generated defied description: I was transported to another state of being. Brian Downey’s thunderous but nuanced drums. What was happening to me? The music made me feel elated. I borrowed the 12-inch gatefold double-album vinyl artefact in all its weighty glory from my brother-in-law, recorded it onto BASF 90-min tape and, from then on, it was destined to be played continuously on the family stereo or on my older sister’s battered Sony walkman.Ī new world had opened up. My 13-year-old world changed utterly and inexorably on hearing Thin Lizzy’s Live and Dangerous for the first time. ![]() ![]() ![]() Late one night, Albus Dumbledore and Minerva McGonagall, professors at Hogwarts School of Witchcraft and Wizardry, along with groundskeeper Rubeus Hagrid, deliver an orphaned infant named Harry Potter to his aunt and uncle, Petunia and Vernon Dursley, his only living relatives. ![]() It was followed by seven sequels, beginning with Harry Potter and the Chamber of Secrets in 2002 and ending with Harry Potter and the Deathly Hallows – Part 2 in 2011. The film was nominated for many awards, including Academy Awards for Best Original Score, Best Art Direction and Best Costume Design. It became the highest-grossing film of 2001 and the second-highest-grossing film at the time. It became a critical and commercial success, grossing $974 million at the box office worldwide during its initial run, and over $1 billion with subsequent re-releases. ![]() It opened on 16 November in the United States, Canada and Taiwan as well as officially in the United Kingdom and Ireland. The film was released to cinemas in the United Kingdom and Ireland on 10 and 11 November 2001 for two days of previews. The film was shot at Leavesden Film Studios and historic buildings around the United Kingdom, from September 2000 to March 2001. Rowling insisted that the entire cast be British and Irish, with the three leads chosen in August 2000 following open casting calls. Production began in the United Kingdom in 2000, with Chris Columbus being chosen to create the film from a short list of directors that included Steven Spielberg and Rob Reiner. bought the film rights to the book in 1999 for a reported £1 million ($1.65 million). Its story follows Harry's first year at Hogwarts School of Witchcraft and Wizardry as he discovers that he is a famous wizard and begins his formal wizarding education. The film stars Daniel Radcliffe as Harry Potter, with Rupert Grint as Ron Weasley, and Emma Watson as Hermione Granger. Produced by David Heyman and written by Steve Kloves, it is the first instalment of the Harry Potter film series. Harry Potter and the Philosopher's Stone (released in the United States, India and the Philippines as Harry Potter and the Sorcerer's Stone) is a 2001 fantasy film directed by Chris Columbus and distributed by Warner Bros. ![]() ![]() ![]() The old and new clips get dug up and shared on Twitter, educating plenty of us, myself included, on just how deep and vast this hatred goes. ![]() So what’s left in the wake is a never ending cycle of frustration for the rest of us. Spotify didn’t ignore the hate, they invested in it, and a podcast that makes the dominant class feel safe and secure in their dominance is highly profitable. If a corporation spends one hundred million dollars on anything, it’s because they expect to make far more money back. ![]() They cut a $100 million check because of it, because Spotify understands that deep American floor that enslavers cemented and Trump reminded us of: hate pays. Spotify wouldn’t spend even one thousand dollars without vetting someone, and they didn’t ignore Joe Rogan’s racist, sexist, patriarchal transphobic behavior. I’ve even heard some folks go further saying that they did vet him and moved forward despite what they found. I keep hearing people say that Spotify did a bad job vetting Joe. Among other things, a compilation has surfaced of him and guests on his show, using the N-word over and over and over and over and over again. So he’s just regular racist.īut instead, I got to talk about this: how the podcaster that Spotify made a $100 million deal with doesn’t just spew vaccine misinformation, but is a veritable treasure trove of problematic isms. Undistracted chrome extension how to#Rather than discussing a white man who is so mediocre, he can’t figure out how to be funny. That would make a much better use of our time. I’m frankly pissed that I even got to talk about this at all, and I can’t sit here and highlight the fantastic programing on that platform like “Jemele Hill is Unbothered” or some of our incredible Pineapple Street family or, you know, the Obamas’ Higher Ground imprint. Woodson went to the mat for what would eventually become Black History Month for us to spend the entirety of these four weeks talking about Joe Rogan and his relationship with Spotify. Please note: This transcript has been automatically generated.īrittany Packnett Cunningham Hey y’all, it’s Brittany. Jemele Hill and Cari Champion on racism (and liberation) in sports ![]() |
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